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The South - Part I - Katherine Proctor
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The bar was busy this Sunday morning and the square outside was bright, as though specially lit for Sunday. There were paintings on display all around the centre of the square. I was curious. I had been thinking for days about paint; I had avoided letting anything form in my mind. I just knew that I wanted to use paint here. I had known this feeling before and it had always led to intense disappointment and bitter regret. I was having dreams of paint.
I am absorbed in myself most of the time. Sometimes I don't see things around me. I think about myself all the time. What I'm going to do now; how in God's name I'm going to survive.
Plans and fantasies take up most of my waking time. I have all day to think about the future, to plot it out, to dream it, to imagine everything.
The past has happened: it is grey and empty like the narrow streets of San Sebastian at four in the afternoon with the shops all closed and their shutters pulled down. The future is wide open.
I did not go to look at the paintings in the square that day. I felt too well-dressed, too conspicuous. I turned instead into the bar and ordered a coffee. The waiter brought it over to me and I asked for a croissant, but he didn't understand and I had to go up to the bar and point at what I wanted. I had already noticed the man who was standing at the bar. He was wearing a red pullover and brown corduroy trousers; his shirt was open at the neck.
I noticed that every so often he would glance over at me. There was a manic look about him. His dark eyes were close together and
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