Helen sat on the floor and relaxed for the first time that evening; she noticed the tunes md rhythms changing, becoming faster, a display of pure virtuosity, full of hints and insinuations, good-humoured twists and turns. The room was half full of cigarette smoke; cans and bottles were being used for ashtrays. All around, people sat or stood and listened to the music. Hugh stood with his shoulder against the wall; he caught her eye and grinned at her.

When the piping stopped, the crowd began to thin out. It was then that someone shouted at Mick Joyce that he hadn't sung yet, and that the night would not be complete until he did.

'I'm too drunk to sing,' he shouted. He stood up and pointed to the man with the guitar and his companion with the mandolin. 'Don't try and join in,' he instructed them. 'You'll put me all wrong.'

'I thought you were too drunk to sing,' one of them said.

'I'll give you singing now, if you want singing,' he said.

He began 'The Rocks of Bawn'; this time his voice was even louder than when Helen had heard him before. Cathal and Manus still sat on the floor, fascinated by the sheer passion in his delivery, his face all lit up by the rage of the song, as though at any moment he would start a fight or burst a blood vessel. A few people who were at the front door, about to go, came back to witness the end of the song:

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