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'You're a great woman,' he said.
He walked down the hallway to the kitchen and stood in the doorway as
though he owned the place, or was the guest of honour. When the music
stopped, several people Shouted greetings. Hugh got drinks for him and
his companions and then the music started up
again.
Helen noticed that Ciaran Duffy was assembling his uilleann
pipes, being watched carefully by several people. It was slow, meticulous
work, and she realised that those still playing were overshadowed by these
preparations. She watched Mick Joyce going into the garden, finding Manus
and lifting him on his shoulders, making him laugh and shout; Cathal and
his friend followed them as they moved around the garden. She remembered
that each time Mick had come to the house he had sought Manus out and acted
as though he had come to see him specially. Manus loved him; he was the only
friend of Hugh's he ever mentioned.
Mick Joyce and the boys came into the house when the piping began. Some
people had already left, but the kitchen was still half-crowded, and
there was a silence now which had been there before only for the singer.
Those who had been playing left their instruments down: this was,
Helen knew, more than anything a world of hierarchies, and no one came
near this player's reputation. They listened, full of respect and deep
interest in the technique, the movement of chanter and drone, the sense
of control and release. Cathal and Manus had been learning the tin
whistle; they sat on the floor listening, Manus making sure that Mick Joyce
was sitting on the chair right behind him, and paid attention, even though
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